Brooke also added solids such as a collarless camel coat and a jacket in maroon gabardine, like andante moments in Basso's symphony of color. And what a symphony it was. You know those scenes in Avatar where you just want to stop the movie and work out exactly what it is you're looking at? There were moments like that on the Basso & Brookecatwalk, when the print collages of marble, mosaic, textile, snakeskin, feathers, and gems teased the eye. It was more comprehensible, but scarcely less striking, when a single element was used, like the chevrons of roughly woven fabric printed on a fur-collared coat. The designers also used a new fabric treatment they called "a high-gloss aqua finish," which gave some prints a liquid 3-D sheen that was practically Pandora-perfect in every way.
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